Tag Archives: gilding

Why a New Ring Setting is Like Interior Design

 A New Engagement Ring Setting is Like Interior Decorating? Yes!

A week before Christmas, I received an early present from my husband – a new setting for my engagement ring. I wanted this for such a long time but I always felt that it might be too expensive and that I should be happy with the actual ring that my husband gave me. It’s the memory thing, you know.  I wanted to preserve the beautiful memory of my engagement and my wedding day.

 

wedding picture, outdoor wedding ceremony

My husband Richard and I on our wedding day

 

wedding party with lavendar bridesmaid gowns

From left to right, my daughter Jessica, me, daughter Krista, stepdaughter Megan and granddaughter, Meghan

That was a blessed time in my life and I will never forget how I felt and how I still feel.

a new setting for an engagement ring

Trying on my rings and the new setting before resizing

But the reality of my rings were…

  •  My fingers had gotten fatter and I was lucky to be able to wrestle my engagement ring off my finger – not so lucky with my wedding band.  That had to be removed by my jeweler professionally. They had to resize it for me.
  • I was in danger of losing my diamond because the prongs holding it were crooked. Might have been my years of troweling plaster and maybe that time when I had to run home to get something from my garage while on a job – and in closing the garage door, it slammed shut suddenly on my left hand, nearly breaking my fingers.  I was really in pain after that and I was in the middle of a large Venetian Plaster job, so I had to keep going. Thank goodness it was my left hand that got hurt…and not my right (right-handed, you know!)

troweling with rings on

And speaking of troweling, you wouldn’t believe how many times I cleaned and soaked my rings. But that stuff got trapped in some of the teeniest crevices.  So – because of daily use and the extra wear and tear that I put my rings through, they no longer looked good, at all.

How much did the new setting cost?  $805. Not too bad. And now this really clear and nearly perfect ¾ carat diamond, sits higher up with the new setting (so it looks bigger and more important than it really is) and 6 new baguette diamonds flank it on either side – plus 2 baguettes from my original ring.  The setting still resembled the original setting – but much better. My jeweler also informed us that two of the original baguettes were made of broken diamonds, which some in the industry use to repurpose their diamonds that have broken. The settings get sold as whole diamonds – but, in reality, they are not. So, when my husband bought the ring for me, he understood that the total carat count, with the baguettes, was a full carat. That was not true.

So, the reason why I bring this little story up is because I can relate it to how many people might feel about hiring an interior decorator or other design professional. Silly, you say? No, not at all. There are so many people who would like to redesign one or more of their rooms but maybe they lack the talent or energy to do it…and they think that hiring a professional would cost too much money (just like I thought about the cost of a new setting!) So – they do nothing. Even though they have outgrown the current design and it no longer suits their taste or the function of the room. Or maybe they tried to do a few things on their own – and they failed…so they stopped.

They didn’t realize that a designer would do a small project or be available on a consulting basis.

a kitchen revamp before

First we added crown molding and started to paint the soffits and crown

how to alter kitchen soffits with faux woodgraining

The finished project

closeup of the stenciled soffit

They would love to hire a designer but feel their budgets would be too small…that designers are just too expensive. They don’t realize that a designer’s creativity could save them a lot of money. The kitchen that I helped a client revamp, took 3 days to do. We added crown molding and then faux oak grained them and the soffits to match the cabinetry – plus we added a faux inlaid marquetry design that added a little punch to the kitchen. This was a much less expensive way to update a kitchen than to gut and buy new cabinetry…and less stressful as well.

Not realizing that a designer can take the best and most beautiful things you have (your diamonds) and allow them to shine in a new setting (pun intended!), people shortchange themselves by not using the trained eye of a professional. A designer will use things that you already have, repurpose them and create a new and improved look – without busting the budget. Just like my jeweler took my small but nearly perfect diamond and made it look more important and impressive – a talented designer can do that with your room.

corner of a room before

Chinoiserie hand painted on a living room wall

After, a lonely corner becomes a focal point

 Designers think about things that you overlook. Just living your life – kids, work, stress, every day chaos etc impedes your keeping your home picture perfect. Do you now have too many things in your rooms – too much furniture? (Did your room get fat…just like my fingers??) Has your furniture, pillows, wall colors dulled with age (too much plastering with your rings on??) Most times the fix is simpler than you think.

custom finish on a custom wrought iron staircase

Making an entryway more grand

 

Helping clients make an impact in their homes

Helping clients make an impact in their homes

A designer can help you achieve a unique and collected over the years look. With resources not available to the general public and with specialized training, a designer can assess the real value of what you have (crushed diamonds passing as full ones), repurpose your best things in a unique way (creating a unique setting that’s you and not cookie cutter).

before picture of a powder room

Before: A powder bath that my client was unhappy with

 

powder room after

After: Since she never used the shower, we created a beautiful silk treatment to make this room more elegant

A designer can enhance the quality of your life in the space. Just like when I no longer received any joy from looking at my worn out engagement ring, the skill and knowledge a designer has can make living and entertaining in your room so much more pleasurable. In the above room, we added a beautiful teal and pearl stried wall finish and antiqued wainscoting and a silk treatment for the shower – to update and add elegance to this little powder room.

So, as I was admiring my new setting and feeling so good and proud of it, I saw that my husband was truly enjoying it also. Maybe it’s a little bit of “Happy wife, happy life,” but he feels that the ring just looks so beautiful now – in its new setting.

If you have been putting off doing something with your home, think about my little story. With the right person guiding you, your home can look and serve you better. It doesn’t cost as much as you think it does…and it’s an investment in your future happiness.

If you would like to feel happiness and joy when entering a room you no longer love – contact me.

Linking to: Between Naps on the Porch

 

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6 Comments | Posted in Decorative Finishes, interior design, Makeovers, My Life

Fast and Beautiful DIY Finishes for Accessories: Part 2

What I love about reviving accessories that are sitting around my house collecting dust is that it’s such a quick fix and that it saves you money.  All you are investing is a little time and some paint.  

Here are some accessories that I revamped in my home that you can update too…

Miss Mustand Seed's Typewriter Milk Paint on an old book with a Royal Design Studio stencil

A few months ago, I went to Robyn Story’s blog and noticed that she had used Annie Sloan Chalk Paint to decorate some books she had.  I thought that this was a great idea – but I decided to try it with Miss Mustard Seed’s Milk Paint in Typewriter.  Here’s how I did it.  (more…)

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2 Comments | Posted in Annie Sloan's chalk paint, Decorative Finishes, Makeovers, Paint, Tutorials

Easy Ways to Gild and Use Metallics on Moldings and Furniture

I may be impetuous most of the time but there’s one thing that I do that involves some level of organizing and planning – I make samples before going all out on a color or technique for a wall, molding or furniture. This is especially helpful if you are new to using a product.  Investing a small amount of time in testing a color, product or technique on a sample board or a piece of molding – will save you not only money but a lot of time as well. This small sample can also be useful when you go shopping.  When you’re hunting for fabrics etc, it’s easy to tote around a 3 inch molding with the color you just painted your coffee table with.

Decorative molding sample with pearl metallic and gold

Pearl base with gold metallic paint on design, then pearl stippled over it

Using Gold and Pearl Metallics: Above is a sample I did a few years ago for a client in NYC. I had to do a different finish on his crown moldings because he neglected to tell me that the moldings had about 100 layers of paint on them! You need a smooth surface for metallic paints to look great.  I wound up using a Sandstone texture on them and I made them look like limestone moldings.

Nina Campbell wallpaper with pearl and gold molding

This Nina Campbell wallpaper and my molding might make a beautiful powder room or small entryway design

Flash Gilding:  This is a gold leafing technique where you put the adhesive size on here and there (not on the entire piece) and it’s typically done with Schiabin – which are the leftover skewings from creating gold leaf.  You can use gold leaf also but you will have a lot of waste.

Flash gilding on a decorative molding

After the leaf is on and dry, you burnish it with a soft cloth first and then with a brush to get it into crevices and to wipe away the leaf that did not stick. I toned this particular sample with Dark Brown Faux Color from Faux Effects. This effect looks beautiful on carved moldings and furniture.

Nina Campbell wallpaper with flash gilded moldings

For the more dramatic, this color Nina Campbell wallpaper and a flash gilded crown molding

I had tried using metallic foils on moldings once before – at a trade show 5 or 6 years ago – so I felt it was time to do some samples with it.  I had a warm red molding collecting dust in my studio – so I figured I would try some gold on that first.

Before and after.  Leather red molding and then with the added metallic foil

For less decorative moldings, I usually just tip or highlight the edges and I make just one edge a little thicker with whatever metallic I’m using. I didn’t want it too heavy, so I sanded back a bit to distress the metallic foil.  For the thin lines, I either use a very small brush to apply the size (I used Wundasize) – and sometimes I even use the tip of my finger to apply the size. When the size comes to tack, you apply the metallic foil – with the shiny side up.  Then you apply pressure with a fairly stiff brush (I used a stencil brush) and transfer the foil to the molding. You can then antique it, like I did.

leather red molding with metallic foil, antiqued

I toned the molding with some eggplant and dark brown glaze

You can choose to have more of the gold showing but I prefer a more aged look.  I first toned it with Eggplant Faux Color from Faux Effects – but I wound up adding some Dark Brown Faux Color to mellow it a bit more.

Mood board with Robert Allen, Scalamandre and Kravet fabrics.

I pulled together some fabrics that could be used in a relaxed room with my molding sample – perhaps as a coffee table, entertainment unit or bookcase

And finally, I wanted to try the foil on a more ornate piece that was lighter in color – to see if I could get close to the flash gilding sample. Well, I learned something by doing this.  The sample I did with the metallic foil came out hardly looking like there was any gold on it at all after I toned it!  So, with lighter colors – when you are antiquing – you should put more foil on than you think.

Metallic foil on this sconce that I use as a bookend

After antiquing, you could hardly see the foil

With metallic foil, it’s very easy to go back and add more foil to a piece.  And, if you add too much, you can sand it back and antique it to push it back a bit – so I find it’s very forgiving.

Antiqued metallic foil on an ornate molding

This foil technique came close to the flash gilding technique

If the foil is too flashy, you can wax it with dark wax, which will tone it down. I’ll probably do this.

Hope you enjoyed my metallics post.  You might also enjoy my posts about using metallic foils in artwork and gilding and antiquing a Swedish clock. I love using metallics on moldings and furniture so much that I have to hold myself back sometimes so as not to do it “too much.”  Let me know how you are using metallics and foils.

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Between Naps on the Porch

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5 Comments | Posted in interior design, Tutorials

How to Create an Heirloom: Easy Way to Add Years to New Furniture

Sometimes you buy a piece of furniture that you love but when you get it home it just doesn’t seem to “go” with your home.  This happens to me every now and again – unless I’m buying an antique.  I find that by giving it a little bit of antiquing helps quite a bit.

Swedish Mora clock from Howard Miller before antiquing

Before: Our Swedish clock before I antiqued it

I purchased a lovely Swedish clock that was reasonably priced – especially when I compared it to the real deal antiques that I’ve seen online. The all white clock just looked out of place in my traditional home.  So – I got to work, giving it a bit of aging.

  • First, I used a clear coat (Aquaseal from Faux Effects) on the entire piece. This seals the surface very well and ensures a better glaze.  I let that dry.
  • Then I added some adhesive size to some of the the edges of the clock – wherever I wanted to see some gold leafing that was fading.  I let it come to tack (about a half hour or so) and then I ripped up some Dutch Metal Gold Leaf and put it on haphazardly wherever I put the size. Let dry.
  • Next I mixed up some browns and golds into my glaze mixture (I used Faux Creme clear from Faux Effects) and set about antiquing the piece.
  • Finally, after everything was dry, I mixed up some brown and dark brown colorant and dipped a chipbrush into it (and offloaded onto a paper towel) – and then I drybrushed here and there and on the edges to give it more age.

I loved the simplicity of it – just a gentle aging.  But as I lived with it what annoyed me was the fact that the clockface still looked new! So I got to work aging the clockface.  I just used some glaze that I had leftover from another project that was similar to the glaze I used for the body of the clock – putting it on with a chipbrush and then smoothing it with a badger brush (but you can use any soft bristled brush that you have on hand).

Swedish Mora clock undergoing a transformation

During the clock face aging

"Swedish clock" "Gustavian clock" "Antiquing" "DIY"

Closeup of our clock

Now the clock looks like it belongs in my home. Everything in my home shows it’s age – including me, sorry to say!  I may try to find an an antique clockface to really make it look like an heirloom.  And I may do some handpainting on it to give it a little more character.

"Swedish clock" "Mora clock" "Gustavian clock" "Antiquing" "DIY"I hope you enjoyed looking at my project! If you’d like to know more about the Venetian Plaster wall finish in the entryway, click here.

Sharing this with: Funky Junk Interiors; Between Naps on the Porch; Be Colorful; Home Stories from A to Z; BoogieBoard Cottage; Miss Mustardseed; French Country Cottage; Cherished Bliss

 

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Gold Leafing and Antiquing a Fireplace Mantle

When I finally convinced my husband that we needed a kitchen renovation, I figured that if I got him that far…let me see if I can also get another room added on – a great room, off the kitchen.  Amazingly he said “yes!”  This was a few years ago – and I have been working on this great room since then.  It’s been a work in progress.Since my laptop is in the repair shop (my hard drive was damaged…so I won’t have access to a lot of my pictures til next week or so), I’d like to share the pictures I do have to show you the work I did on the room.

First Incarnation…

I was happy to finally have a fireplace and mantle in my home – yippee, something else to decorate! (And that tree was supposed to be on our deck then – sorry about that one). But having the mantle so stark white really wasn’t doing it for me.  I had done a nice sueded plaster on the walls in a cinnamon hue – very Ralph Lauren-ish kind of look and feel (without it being Ralph Lauren material!)…and I loved the warmth of it. 

So – what’s a girl to do to make it all come together?  Add some decorative onlays, gold leaf them and then antique the entire mantle.

 Mantle…After
The gold leafing (or gilding) of the onlay gave the mantle more distinction and character, I think.  And the antiquing gave the onlay a nice patina – and now the tone of the painted wood blends so much better with the finish on the wall. Before the white just shouted at me – I am so much happier with this look.
Closeup of gilded and antiqued onlay
GILDING STEP-BY-STEP…
  • I first painted the onlay with a yellow gold paint – this will help you out later…because not every piece of leaf will stick!
  • I used Gold Leaf sheets from Michael’s – nothing fancy. But after you put on the gold leaf size (the glue that makes the leaf stick to what you are gilding which you can get at Michael’s also) – let it come to a tack. Don’t put the gold leaf on when the size is still wet. Never place your finger on the size to check if it’s ready – use your index finger knuckle to check it.
  • Once it’s ready, place the sheets on your object and tamp them down softly with a soft artist’s brush. Once everything is on your onlay (or whatever you are gilding), take some cheesecloth and start to take and brush away the gold leafing that didn’t stick.  You can use an artist’s brush to get into any crevices etc.
  • Once that’s done, use your cheesecloth to burnish the gold leaf – you’ll begin to see that it starts to get shinier.  Now – the leaf sold at Michael’s and elsewhere is not real gold leaf…so the leaf will look a bit too brassy.  But after you antique it (as I did – with the rest of the mantle), it will lessen the shininess.  In addition, I took an artist’s brush and took some dark brown tint and brushed it on to age and darken it. 
  • Optional: You can also use a dark wax (Annie Sloan’s Dark Wax or Liberon Wax etc) to do this as well. This will protect and seal your work
So – hope you enjoyed this.  If you’d like to see a few more pics of this up close…click the links below to my website. 

Closeup of the Mantle Finish 

Closeup of the Gilded Onlay 

Happy Painting!!

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13 Comments | Posted in interior design, Tutorials